
I am wishing all of you new opportunities for growth, peace in the heart that might spread, warmth of another's hand, and that you follow the beauty of the moon...
All images
©Katherine Dunn.
It was a long haul to get up there and turn around and drive back - but, I am so glad we did it. It felt so good to take this old guy home. He is adjusting well, eating and drinking which I'm pleased about. He came to Ellen's very thin, and she got some weight on him, but I hope I can get more on him. He has a really weak rear, favors one leg, has some missing teeth, but he eats whatever I give him which is good. 




through wind and sky, getting closer and closer to the arms of the trees and the lap of the earth, do they sense whimsy, or perhaps melancholy of the quickness of life? They come to their respective resting spot, settle in a group, huddled together, waiting for the warmth of the sun to take them, just as they came, in water.

stall all day, but the wind kept it miserable. I fed 4x the normal hay, and put him in an inner stall that night and he was fine. I even put the hardy donkeys in, with Frankie, and it helped Lucia too,who arrived at dinner with the shakes. I worried most about the chickens, but so far they are ok. The barn cats seem uneffected, but the porch cats have taken to their underground den. I rigged up some hay areas for them and it helped. HAuling water 2x a day to 2 barns is a drag, but at the same time, it makes me feel very crispy and alive, and useful and loving. Martyn has stayed home too and it's nice to have him in the barns, even though the animals always address him with, "Is everything OK? Why are you here today? Are you sick? Is it shot day?"





to me...it was strange. I said they're all equal because they all coincide with me and the farm and the studio. It has been noted, after all, that Apifera Farm is where 'art, lavender and animals collide'. I have a box of old clippings and sketches and words and such in a box that I dragged here from my Minnesota studio. I would it out and go through it every few months as the contents brought me comfort, and reminisces of days past that still felt present and important. It grounded me after so many moves and changes from 2002- 2004. But now the box sits mainly idle under a desk and what's important is the art of today and tomorrow, and the guy in the other room, and the hearts beating inside and outside these walls.

The hours I put into these beings and their clothes and details make them difficult to price. I decided to create Le Collection de Creatures for my ongoing birthings of these detailed felt pieces. I have no intention of working hours on these and selling them for $75 on Etsy. They are priced accordingly. What I feel emerging are stories, some that will help me along with my novel, some that will end up in picture books. [And I'll still be doing my other sock creatures in the $125 and under range].


I will be posting an ongoing list of the senior animals I'm able to help down on the sidebar of this blog. $25 from each animal print I sell will go to sponsoring one of these worthy creatures. I was able to send money to help Malik, Sammy and Hunter. I write a little about them on the sidebar area, so check it out, and pass my link for my prints onto any animal lovers you know.

end of a holiday, versus the beginning. I much prefer the comfort of the privacy of my
studio. I like people, I like socializing, I like my family and friends. I'm always reminded though, especially when gatherings and socializing come back to back and head to head, I am at my best when creating. I am less critical, more forgiving, gentler. I even look better in my own mind. And then the rudeness of the picture shows me - "Hey, you really have a throat waddle now...and that hat, what hat do you have on?" But then I must remind myself, do the animals care about my hat? Do they not come to me to commune when they notice my waddle? Do they even notice my waddle? Let's face it, to a chicken, a waddle has a whole attraction thing going on. My husband claims I don't have a waddle, but he is a
wise man, I know he sees the waddle. And most importantly, does the fact I now have a neck waddle make my art better or worse? No. So, I am pleased that come Wednesday my studio schedule will resume. Visiting with my mother has been wonderful, but living with the artist out of her studio has perhaps, no it has, been trying for the 82 year old. I am just so imperfect. But, waddle or not, so glad to be me.




After four+ years of living with goats, I truly believe they have Monday morning meetings, complete with note pads coffee, and doughnuts. "Stella, you take down the north side of Pasture A, I'll handle the south side. This should keep the Tailless One busy mending that area of fence, and with the distraction, we can get into the pump house rose pavilion."
But all messes in one's day have a golden lining. Because I had to mend the fences, I also was had a visit to a spot of the property I have loved from the first moment I stood on it. And because it is also part of the Joe Pye field, it is not an area I get to frequent. Joe and I have an understanding - "You stay over there, I'll stay over here. You come in here, I take my head which is thick bone mass and hit your thighs."
Our land used to be 100 acre dairy, mostly on rolling hills that bordered up top to the forest lands and down below to the river. Within time, the farm was cut up and our spot is the original home site and barns. Fortunately, the house was well sited, sitting in a spot where we don't get too much distraction from nearby properties. And the property goes about 10 acres up the hill, so the higher one walks, the more vista one sees. When the fog rolls in, and I stand looking down over the 100+ year old barn, I can't help feel transported back to another time.
There's a certain pull of this spot of the land, and a certain welcoming. Perhaps it is the century old oak that stands there, some of its limbs newly mangled by a wind storm. Those limbs now keep our house warm, and perhaps it recognizes the partnership we have together. I stood up there for awhile, enjoying the view and the silence of the fog, the rose hips scattered behind me. I thought about how I had come here, an unknown to the state, the county, the people, but this one section of land just welcomed me that first day we looked at the property. I like to think it was a personal greeting specifically to me. All the houses I'd lived in and fixed up and nested in over my 30's and 40's, there was still a horizon out there that seemed a bit more enticing. There was always a sense in me the house I was in wasn't quite 'it'.
This small piece of our property always rekindles the small embers in my heart, reminding me in a very physical way, I am standing on 'it'.



wouldn't require a Lake Wobegon outfit just to go to the car and back. I love Minnesota, in fact, I miss a lot about it - the work ethic is more to my liking, the flatness mixed with lakes, and it's where I first walked, first cried, first ate. My Grandmother died on her city street, of a heart attack, 2 hours before I was born. My father once said that studies show most people return to their homelands to die, out of instinct. I can understand that. But I can't fathom that right now.
Each flag is still hand made, and I attach fabric scraps, bells, twine, little 'finds' to each individual flag. The fabric with the illustration on it is 8". A small twig from one of many cherry trees is sewn into the top. So they remain one-of-a-kinds, except the main illustration on the front is printed on a piece of cotton so I am not re-creating each illustration from hand [note: even farm girl-artist-apron fanatics have to get more work done than flag making]. So when you order a flag, you know what the main front illustration is, but you'll just have to be surprised with all the little additional items attached to it. Like sometimes a chicken feather - just roll with it.
Tonight, at a little donkey's ass before midnight, the Ghosts of Fallen Cows will put on their annual "Milk Rain" show in the old barn.
Visit Tails & Tales, the short story site of artist/Katherine Dunn to read this story.

